The Tang Dynasty was an era in which our country's politics and economy developed highly and its culture and art prospered prosperously. It was an era when the feudal culture was brilliant and glorious. Tang unified the chaos and fragmentation of the Wei, Jin, Northern and Southern Dynasties and the Sui Dynasty, established a unified and prosperous nation, developed trade with foreign trade and greatly developed its productive forces. Especially when the Tang Dynasty became the economic and cultural exchange center of all ethnic groups in Asia, it is the glorious page in the history of Chinese culture. This period absorbs the culture of India and Iran and integrates into our culture. It is fully reflected in murals, stone carvings, sculptures, books, paintings, silk embroidery, pottery figurines and costumes. (1) The Tang Dynasty was an era in which our country's politics and economy developed highly and its culture and art prospered prosperous. It is an era when the feudal culture was brilliant and glorious. Tang unified the chaos and fragmentation of the Wei, Jin, Northern and Southern Dynasties and the Sui Dynasty, established a unified and prosperous nation, developed trade with foreign trade and greatly developed its productive forces. Especially when the Tang Dynasty became the economic and cultural exchange center of all ethnic groups in Asia, it is the glorious page in the history of Chinese culture. This period absorbs the culture of India and Iran and integrates into our culture. It is fully reflected in murals, stone carvings, sculptures, books, paintings, silk embroidery, pottery figurines and costumes. When the Sui and Tang dynasties, the most obvious feature of Chinese apparel is the dual track system. In the large sacrificial scene, wearing traditional Chinese clothes. In normal times, the uniforms in the Tang Dynasty were the Hu service (ie, Xianbei equipment) system. The reunification of the Tang Dynasty, economic prosperity, more open shape, clothing more gorgeous. The characteristics of women's dresses in the Tang Dynasty are the unification of skirts, shirts and suits. Among the women, the image of a bare-shouldered arm appeared. In the east wall murals of the Princess Yongtai tomb, there is a Tang dynasty image of a woman with a comb combed topless, shoulder topped with red silk, yellow narrow-sleeved shirt, a long green dress under the sky, Pink chest hemispheric dark snow, "" when sitting with haystacks, that is skirts swept away plum "has a more vivid understanding. Slow beam Luo skirt half-naked, not what people can do. In the Tang Dynasty, only the identity of the people to wear open shirt, princess Wing Tai can be naked breasts, singers can half-naked to please the ruling class, while the civilian population of the woman is not allowed half-naked chest. At that time, the Tang dynasty dresses were somewhat similar to the modern Western night gowns, except that they were not allowed to show their shoulders and backs. Tang Dynasty dress collar, a round neck, square collar, collar, straight collar and chicken heart collar and so on. Short skirt is characterized by skirts are higher skirts, usually above the waist, and some even in the armpits, giving a pretty slender feeling. "Luo Shan leaves embroidered heavy, Jinfeng silver goose all the same." "Meyda won the lily color, red dress jealous kill pomegranate." The skirts of the Tang Dynasty brilliant colors, red, purple, yellow, green fight Yan research, especially in the red dress for the Jiao Jiao. Popular red skirt on the street, not a modern patent, as early as the Tang Dynasty, have been drenched dances skirts. May be affected by the five elements of yin and yang, Yang most like a yellow dress, it is a symbol of status. "To slow skirt skirt," from one aspect reflects the degree of social thought was open. Social ideology formed on a certain economic basis. It is an important factor that influences social fashion and clothing. Clothing is the weather watch of socio-political climate. The Tang Dynasty was the heyday of China's feudal society, especially Zhenguan, the first year, political climate relaxed, people live and work in peace. Chang'an, a capitalist in the Tang Dynasty, was the center of politics, economy and culture at that time, and was also the center of cultural exchange between East and West. In the ancient city of Xi'an, Yanta morning bell, the cottage smoke, Tamarisk snow, Lishan night photo, Huayue cactus, Stone Forest Stone seems to still curl the sound of the Tang Dynasty. There are more than 300 countries that have had friendly exchanges with the Tang government. Splendid Chinese culture, through them spread around the world. To date, some countries in East Asia still regard the costumes of the Tang Dynasty as formal dresses, which can be seen for a long time. Foreign friendly messengers gathered in Chang'an and sowed the seeds of their culture at 800 in Qinchuan. The Tang dynasty's art of painting, sculpture, music, dance, etc. all attract foreign skills and style. The exotic ecclesiastical dress eclectic, so that the wonderful flower dresses Tang Dynasty drove more colorful. Because of the open policy of the Tang Dynasty, the costumes of the Western Regions and Tibetans were both eclectic and therefore popular. This is the third major revolution in ancient Chinese costume history. The big difference with the previous two apparel is that this time the big exchange of clothing is from north to south to the east-west direction. (B) The Tang Dynasty, is the heyday of China's feudal society, whether it is people's thinking, or material production have reached the peak of history. The beginning of the Tang Dynasty, the decorative arts commonly used floral patterns, the composition of lively and free, well-proportioned, plump and mellow. In particular, the wavy continuous patterns combined with flowers, is the popular Tang Dynasty pattern. Dress patterns of the Tang Dynasty changed the previous creative thinking based on divine talent and sketched the real flowers, grass, fish and insects. However, the traditional dragon and phoenix patterns were not excluded. This is also due to the impact of imperial power decided. At this time, the design of the clothing design tends to show a free, full, fat art style. Late Tang Dynasty costumes more sophisticated and beautiful. Flowers and birds costumes patterns, decorative patterns, floral dress patterns silk yarn in the gentle clothing, really flowers, Zheng Yan Dou Sheng. Just as Wang Jian of the Five Dynasties said: "Today, we see these luxurious and beautiful costumes, painters who are in the Dunhuang Grottoes with hard work for future generations to retain the precious image of the information. The development of apparel in the Tang Dynasty is an overall development. At this time, the design of apparel patterns tends to be characterized by freedom, fullness, gorgeousness and mellowness, all of which are illustrated in the performance of shoes, hats, towels, jade peathers, hairstyles, make-up and jewelery Features. We can see from the figure that the style of the hair style is rich and colorful, the patterns of the patterns are the patterns of the phoenix, and the pattern of the peony flowers. Some hairstyle shows the moire imprint, is the embodiment of moire. From the shoe style point of view, the popular Qiantuan Tang Dynasty shoes, workmanship is very delicate, and even the grass is also pay attention to craft shoes. Embroidered silk tiger pattern for the tiger's head, and now the children wearing the tiger's headdress pattern similar to Shandong, but now the rural areas of Shandong children wearing tiger-head shoes do not so upturned. The style of men's shoes and modern shoes have similarities, indicating that the development of shoes has reached its peak. Throughout the Tang Dynasty costumes, you can recognize: the inheritance of the Tang Dynasty, the Warring States period, the Wei and Jin Dynasties style, the financial integration of the Zhou Dynasty dress design rigor, the Warring States period of the stretch, the Han Dynasty of the Ming and Qing Dynasties, Wei Jin Elegant as one, but also on this basis more luxurious, so that apparel, clothing patterns reached a historic peak; the Tang Dynasty costumes, costumes on the offspring of the influence has been continued until today. The use of twigs and twigs in modern costumes shows the implication of combining traditional patterns with modern aesthetic awareness. (Sui Tang Tang Jia A) Sui and Tang Jia A early Tang armor and military uniform to maintain the basic style and shape since the Northern and Southern Dynasties to the Sui Dynasty. After Zhenguan, a series of dress system reform, and gradually formed with the Tang Dynasty style military clothing. Gaozong, then days and two dynasties, the national strength peak, the world level, the upper class increasingly serious luxury style, most of the military uniform and armor out of the use of the function, evolved into a beautiful luxury, decorated mainly ceremonial clothing. After the "An-shih chaos," there is a practical state that is conducive to combat when it is restored to the golden age. This picture shows the wear armor and pocket map, boots map. This type of armor, more sophisticated than the early Tang Dynasty, the decoration on the armor, but also more complicated and meticulous, is the typical style of the Middle Tang Dynasty. (Five armor and military uniform) Sui Tang and Five Dynasties costumes of the early Tang armor and military uniform to maintain the basic style and shape since the Northern and Southern Dynasties to the Sui Dynasty. After Zhenguan, a series of dress system reform, and gradually formed with the Tang Dynasty style military clothing. Gaozong, then days and two dynasties, the national strength peak, the world level, the upper class increasingly serious luxury style, most of the military uniform and armor out of the use of the function, evolved into a beautiful luxury, decorated mainly ceremonial clothing. After the "An-shih chaos," there is a practical state that is conducive to combat when it is restored to the golden age. Five Dynasties period in the apparel basically follow the end of Tang Dynasty system, Mingguang A has basically withdrawn from the stage of history, armor heavy and full use of A-chip preparation, the form into two sets. Phi shoulder and shoulder pad together into one; chest thoracic and leggings connected into another, with two shoulder straps before and after the line, set in the shoulder bag above the shoulder. The other five generations continue to use leather armor, made of large pieces of leather, and wear pocket and care items. The picture shows the warrior restoration figure wearing armor and military uniform during the Five Dynasties period. (Tang Dynasty A) Sui Tang and Five Dynasties costumes The early Tang Dynasty armor and military uniform to maintain the basic style and shape since the Northern and Southern Dynasties to the Sui Dynasty. After Zhenguan, a series of dress system reform, and gradually formed with the Tang Dynasty style military clothing. Gaozong, then days and two dynasties, the national strength peak, the world level, the upper class increasingly serious luxury style, most of the military uniform and armor out of the use of the function, evolved into a beautiful luxury, decorated mainly ceremonial clothing. After Anshun Rebellion, there was a practical situation conducive to combat, especially armor armor. The armor armor of the Tang Dynasty was basically fixed in the late Tang Dynasty. According to the records of Tangliudian, there are Mingguang, Light, fine scales, mountain paper, bird hammer, white cloth, soap Juan, cloth back, infantry, leather armor, wood, lock, vest and other thirteen species. Which Mingguang, light to be, lock, Yamamoto, bird hammer, scaled armor is the armor, the latter three are in the form of armor nail tablets to name. Leather armor, wooden armor, white cloth, soap Juan, cloth back, it is made of materials named. In the armor, the light is still the most common use of light armor. The picture shows the Ming Dynasty wearing a light armor and military service to restore the warrior figure (Sui Dai Rong Fu and A) Sui Tang and Five Dynasties clothing Sui Dai used the most common armor for both crotch and Mingguang. The structure of two crotch 有 than the previous generation of progress, there are also some small changes in shape. General body armor scales and other small forms of preparation, the length has been extended to the abdomen, replacing the original leather skirt. Body hem for the meniscus, lotus leaf shaped pieces, to protect the lower abdomen. These improvements have greatly enhanced the defense below the waist. Mingguang 形 shape basically the same as the Northern and Southern Dynasties, but the leg skirt to become longer. Rong Sui Dynasty round neck robes. The picture shows the Sui Dynasty Samurai recovery map (left to Rong service, right to the A). (Sui Tang 胄 A 2) Sui and Tang 胄 A Tang A, for actual combat, mainly iron armor and leather armor. In addition to armor and leather armor, the more commonly used armor in the Tang Dynasty, as well as silk cloth armor. The silk cloth armor is a kind of armor made of a kind of cloth made of silk cloth. Its structure is relatively light and exquisite, but its appearance is beautiful, but it has no defensive ability. Therefore, it can not be used in actual combat and can only be used as a military uniform or ceremonial guard. The picture shows the armor wear display. (Tang suit) Tang sleeve sweater After the Tang Dynasty, the impact of Hu service gradually weakened, the style of women's clothing has become increasingly generous. In the middle and late Tang period, this feature is more obvious, the general women's clothing, sleeve width is often more than four feet. The picture shows the middle and late Tang wide sleeves to the cardigan, dress, Phi silk wear show map. This is the occasion of the aristocratic dress in the late Tang Dynasty, the more commonly worn in important occasions, such as North Korea, courtesy and marriage and so on. Dressed in this dress, hairpin hairpin also has a flower, so, also known as "hairpin Li Yi." This picture shows a large sleeve on the lapel Luosi, dress, Phi silk wear show. (Middle and late Tang Hui 鹘 women's clothes) in the late Tang dresses back 鹘 installed display. Comb back 鹘 bun, Dai Jinfeng crown, wear back to the crane and the late Tang Dynasty lady and decorative pattern phase cloud head Kam shoes. Back to 鹘 is a minority in the northwest region, which is now the predecessor of the Uighur. In the first year of the Tang Dynasty, Hui was once the most prosperous minority government in the north. The Hui nationality people and the Han people have close and friendly relations. The cultural exchanges between each other and the economic exchanges have never ceased. Hui nationality clothing has had a greater impact on the Han people, especially among aristocratic women and court women. The basic characteristics of back outfit is slightly like a man's robe, lapel, sleeves narrow and wide body, under the long drag. Color is based on warm colors, especially red. Most materials with thick texture of tapestry, collar, sleeves are inlaid with a wider woven Jinjin lace. Wearing this kind of clothing, hair is usually pulled into the vertebral bun type, called "back 鹘 bun." The bun is also wearing a pearl crown decorated with pearl crown, on the phoenix. Two 鬓 also inserted in general hairpin hairpin, ear and neck wear a lot of beautiful jewelry. Full head Alice soft brocade shoes.
Weft-Stretch Fabric,Strech Fabric,Strech Satin,Strech Knit Fabric
JIANGYIN JINPENG YANR-DYED FABRIC CO LTD , https://www.jinpengfabric.com